Postproduction

Editing films and videos correctly (1/4)

This four-part article summer series on the trade of editing begins with the most important principles of film cutting. Film cutting can be hard like an unexpected slap in the face or soft like a loving look. It can change time and be a complete contrast to movement in front of the camera. The cut can guide the eye or hinder us from seeing something. Therefore, editing films and videos is more than a mere trade, it “additionally” incorporates the potential of a form of art. [...]

Image recognition will revolutionise videos!

It’s simply a question of time until computers will be able to automatically produce films and videos. With sufficient capacity, that which works for a single image will also work for 30 images (frames) per second. Today, feature films are already being animated on computers without a one single, genuine day’s shooting. Video editing computers will be able to add one and one and generate the perfect material for the perfect film. Disney says that in 5 years, digitally animated images of people will look no different from the real thing. [...]

Editing film and video correctly (2/4)

Editing and parallel editing can only be applied successfully when the cutter or the editor observe the dramaturgical film requirements. The hereby assumed artistic talent, combined with experience and deep knowledge, is one good reason why films are not cut, but edited. [...]